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Too much? What is just enough?

May 21 & 22, 10.00-18.00 | Grando, Obala 10, Portorož

The BIG SEE Conference is where architecture and design pause – and take responsibility. In a time of excess, acceleration and constant production, it asks a simple but uncomfortable question: Too much? What is just enough? This is not a conference about trends. It is for architects, designers and entrepreneurs who feel that decisions today carry more weight than ever – socially, environmentally, culturally and economically. For those who know that clarity has become a professional skill, and measure a competitive advantage. The programme unfolds through four essential themes – Relevance, Urban Humanity, The Great Reduction, Big, and Measure – each curated by an independent voice with a distinct worldview. Curators invite speakers who don’t repeat consensus, but challenge it. Established and emerging practitioners are intentionally paired to create friction, contrast and real conversation – not polite agreement. You won’t leave with ready-made formulas. You will leave with sharper judgment, renewed perspective and language for decisions you already know you must make – in your practice, your business and your role in society.

Architecture and Relevance

May 21, 10.00-12.00

Has architecture moved from serving life to serving the eye? Or further still – from serving the human to serving the machine? In an age where algorithms shape our attention and AI promises to design our buildings, the question of what architects stand for has never been more urgent.

There is an uncomfortable truth that our profession has been avoiding for some time now. We have become shape obsessed. We build for the photograph, for the prize, for the scroll. Meanwhile, the planet burns and people need shelter that works. The image has overtaken the inhabitation.
Worse, we have come to serve the tools we have created rather than, as Ivan Illich proposed, the other way around. The software dictates the form. The rendering replaces the experience. The metrics define the meaning.
This is not a new concern. Bernard Rudofsky’s Architecture Without Architects asked similar questions sixty years ago, documenting how vernacular building traditions achieved sophistication through accumulated wisdom. Christopher Alexander’s A Pattern Language changed forever how we understand the making of space – not as the imposition of form, but as the recognition of what life already knows it needs. More recently, Stewart Brand in How Buildings Learn showed us that the most enduring structures are those designed for adaptation, not admiration. The question of relevance runs through the entire history of the discipline, from Vitruvius to Pallasmaa.

Yet somewhere along the way, we lost the thread. The profession fragmented into specialisms. The architect retreated into form-making while engineers, project managers, economists, and consultants carved up the territory of consequence. We became composers without orchestras, increasingly irrelevant to the decisions that actually shape our built environment – and worse, reduced to a dressing tool for the developers and institutions we now serve, styling their products rather than shaping their purpose.

This is not merely a professional inconvenience. It is an existential risk. The architect was once the sophisticated orchestrator – the one who held together the technical, the social, the environmental, and the aesthetic into a coherent whole. If we allow that role to be simplified into mere delivery of buildings, we lose not just our relevance but our reason for being. Others will fill the gap, and they will not ask the questions we should be asking.

“Relevance” is unforgiving. A building either matters to the life around it, or it doesn’t. Either it responds honestly to place, climate, and the way people move through their days, or it’s decoration with a roof. There is no middle ground here, no matter how sophisticated the rendering.

But here is the paradox: to become relevant again, we may need to admit what we cannot do alone. The challenges we face – climate crisis, social fragmentation, resource depletion, the reshaping of life by technology – are too complex for any single discipline. Perhaps the path to sophisticated simplicity runs through an honest admission of complexity. Perhaps we need to invite back into our midst the philosophers who can sharpen our thinking, the economists who understand value beyond square metres, the artists who see what we have stopped seeing, the communities who will actually inhabit what we design.

We ask: where does relevance form? Not as moral lecture, but as practical question. When does function become insight? When does constraint produce beauty that impressing never could? When does collaboration reveal what solo practice conceals? And how do we reclaim the orchestrator’s role without retreating into arrogance?

This will not be a session of polished presentations followed by polite applause. We will hear from practitioners who have found ways to make architecture matter again – not through spectacle, but through service. Established voices will be paired with emerging ones. Agreement is not the goal.

And you will have a voice in this. The session will include moments where the audience shapes the conversation – questions that redirect, challenges that sharpen, perspectives from practice that test the ideas presented. If architecture is to serve life, then those who live with it must be heard.
Come prepared to think, speak and to leave with questions that won’t let you rest.

Diego Tobalina González

Head of the Innovation and Design Unit
at the Norman Foster Foundation | Spain

Tiago Sallas

Project Director and Architect
at Saraiva + Associados | Portugal

Urban Humanity

May 21, 13.00-15.00

This module asks:

Are we today true to the real tasks of Architecture? Is the architecture produced today relevant? Is the modern project capable of providing a lasting, useful, beautiful human urbanity?  Or have we (The modern architects) dispersed the vocation into irrelevant relationships to a commercial system demanding newness, of misplaced rationality, of bland repetition? Has the ideal of the architectural star focusing on individual expression corrupted the real tasks of architecture to make a lasting, urban and human architecture?

And what about all the mediocre architecture produced by the less talented trying to surpass or copy the stars? Have we forgot the skill of making a human, urban architecture, the way most European cities utilized very well in the pre-modern period. Of making a usable vernacular architecture for day to day purposes? As Grafton Architects stated for the Venice Biennale; Maybe it is time to look at architecture as evolution again, not as revolution.

The module will be very hands on towards the daily profession of practicing architects, with concrete built examples. It will focus on two parts:

The facade

Architecture today has forgot the instrumental task of good buildings to provide an intelligent dialogue between public and private, between inside and outside. Do we have the necessary skills to make ”Metropolitan Façades”? What are good examples of this sensitivity to the human urban existence?

The structure

Our profession loves innovation. Buildings has never before been more advanced technically. But at the same time experience shows that we build with materials as well as detailing that often requires replacement much earlier than anticipated. Greenwashing is nevertheless a serious challenge to our profession. Large parts of the European cities built until the early 20th century still exists, often in better shape than their modern neighbors. Today, we are rebuilding structures not more than 20-30 years old.  Several architects work with traditional materials and methods, showing that cost might not disqualify such use. Especially when we consider time as a dimension in addition to cost.

Amin Taha

Architect and Chairperson
at Groupwork | United Kingdom

Ola Brons Wessel and Klas Ruin, Spridd Architecture

Architects and Founders
of Spridd Architecture | Sweden

The Great Reduction: Stripping Down Space, Tech, and Ego

May 21, 16.00-18.00

Welcome to the antidote to excess. In a profession often obsessed with More – more square meters,
more gadgets, more perfection – we are dedicating this block to the radical power of Less.
Over the next two hours, we will dismantle the three heaviest burdens of modern architecture: the waste of space, the addiction to technology, and the weight of professional ego. We will travel from the hyper – efficient interior of a caravan to the ancient wisdom of low-tech futures, and finally, we will turn the lights out to strip away our masks.
This isn’t just a series of talks, it is a collective exercise in shedding weight to find the essential core of our
work.

The session program:

Slot 1: Too Much Space: The Minimum Viable Space Question
What can high-end architecture learn from the masters of getting the most living quality out of the smallest footprints?
We look outside our industry to find the answer.

Slot 2: Too Much Tech: The Return to Common Sense
We have over-engineered our lives and architecture. This block argues that the smartest technologies are often the oldest (Wind, Sun, Gravity) and that true intelligence lies in simplicity.

Slot 3: The Fuck-Up Night (Architect’s Edition)
A radical departure from the standard “Success Panel.”
A combined “Confessional” TOO-MUCH Coming-Out Session designed to break the toxic perfectionism of the industry.

Frans Joziasse

Co-Founder and Director
of PARK | Germany

Sebastian Aristotelis

Architect and Co-Founder
of SAGA Space Architects | Denmark

Big

May 22, 10.00-13.00

Big is a conference module concerned with architectural magnitude, understood not as size but as consequence.

Architecture advances, expands, innovates and optimises. Yet every act of progress produces weight: environmental, social and cultural. In a world shaped by growth and capital, architecture operates in the tension between ambition and responsibility. Big belongs precisely there.

A project becomes big not because it is larger, but because it carries its impact consciously: pushing forward without erasing context, allowing innovation without overriding belonging, and advancing without dissolving memory.

Big looks at works that negotiate this fragile balance between opportunity and restraint, visibility and meaning, investment and identification. It asks whether architecture can generate progress without producing excess, and whether it can shape direction without exhausting its surroundings.

Greatness, here, is not spectacle. It is the capacity to hold power and limit at the same time. Big focuses on architecture that endures because it understands consequence, and advances without abandoning responsibility.

Ajda Bračič

Moderator

Rodrigo Bandini

Associate Architect
at Mecanoo | Netherlands

Fouad Hanna

Architect and Co-Founder
of Dagher Hanna & Partners | Lebanon

Tadej Glažar

Moderator

Martino Libisch

Associate Architect
at Franz & Sue | Austria

Erhan Vural

Architect and Founder
of Erhan Vural Architecture & Urban Design | Turkey

The Question of the Right Measure in Architecture

May 22, 14.00-17.00

“A little too much is just enough for me,” declared the notorious Jean Cocteau in the middle of the 20th century. The state of affairs has changed considerably in less than a century: ecological and climate crises, social unrest and migration, absurd wars in Europe and around the world… It seems that hope has been replaced almost suddenly by anxiety, wholeness by dispersion, opulence by sustainability…
But how much is just right in life, in art, in architecture? If we would search for a holistic wisdom in antiquity that had not yet been dialectically divided into opposites, we would have to turn to the pre-Socratics, Parmenides or Heraclitus. But usually the »scientific« sources lead us to the first reflections on this topic articulated by the fathers of modern philosophy, Plato and Aristotle. Through teacher and student we encounter the relationship between idealism and realism (empiricism), ideas and deeds, theorising and applicability etc. But actually their beliefs don’t differ that much: while the former one discusses ideal measure, the latter seeks advice in the middle (golden mean). While Plato’s (right) measure gives things and phenomena their identity and protects them in the embrace of the good and the beautiful, Aristotle grounds it in the “right middle/measure” (golden mean or right measure) and, through “practical wisdom” (phronesis), finds advice for a balanced life between extremes that are best avoided.
Here the older sophist Protagoras with his statement that “man is the measure of all things” could help us by omitting the »absolute thruth« and introducing the relativity of human perception, trying to bridge the gap between “heaven and earth”, objective and subjective, eternal and transient. This again- in a different way- would lead us to the question of the “right measure, the golden mean, the ethical mean,” which has recently been addressed even by (ethical) economics (…how much money do we actually need, when is it (finally) enough, what is its true value, etc.). Whithin this view important life issues are not left to be decided solely to an absoulte, objective category (God, Logos, Dharma… ) nor to only subjective one (human being/man), but—depending on the theme, context, the person, and the situation—they dynamically and empathetically travel between the two principles and constantly search for its true position and measure within spatiotemporal context.
Good architecture has always sworn by the right measure, harmonious relationships, balanced proportions, the golden ratio and the Fibonacci sequence etc. It avoids excesses and insists on a highly ethical stance, seeking beauty, but also truth and goodness. Unfortunately, such architecture and architects are becoming increasingly rare in the modern world, driven out by greed, pragmatism, globalism, and opportunism. On the other hand, there are signs of old-young growth emerging in the profession, promising and already demonstrating maturity, responsibility, and ethical principles in their work.
In the third consecutive 2026 BIG SEE edition of the architectural conference, which this year I am co-curating, we will meet precisely such thinkers and creators in architecture; those (old and young, big and small, original and innovative…) who discover the principles of “the right measure” in each of their works and are at the same time harbingers of a new, emerging, comprehensive and culturally responsible architectural paradigm. They understand and live it with their whole being as a professional mission that should serve life, people, and all of creation!

Architects and Founders
of BAX Studio | Spain

Dagur Eggertsson

Architect and Co-Founder
of Rintala Eggertsson Architects | Norway

Francesco Giacobello

Associate Architect and Project Lead
at Renzo Piano Building Workshop | Italy

Ana Maria Goilav

Architect and Researcher
at The School of Bunești | Romania

Conference Background

BIG SEE Conference is rooted in two established international conferences: the BIG Design Conference, organised since 2003, and the BIG Architecture Conference, organised since 2008.
From 2026 onward, they come together as one platform for international dialogue, connecting architecture and design through a shared focus on quality, response and change. The conference brings a curated selection of internationally engaged speakers and creates space for clear ideas, honest debate and exchange across disciplines. Participants can expect strong case studies, fresh perspectives on current challenges and real opportunities to connect with peers and collaborators.

As part of BIG SEE, we have welcomed many distinguished internationally recognised speakers over the years, as seen below.

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