Okolo by Grupa: Lights That Float, Frames That Hold
3 Questions for GRUPA Q: Okolo uses a visual language of black aluminum bars and clean lines that repeat across the range. Where did the initial idea come from, and
3 Questions for GRUPA Q: Okolo uses a visual language of black aluminum bars and clean lines that repeat across the range. Where did the initial idea come from, and
3 Questions for Neisako Q: The armchair market feels saturated, yet with Omnia you have delivered something genuinely new and different. Do you ever share the feeling that “there is
3 Questions for Luka Colnago, founder and owner of Colnago Marine Q: What was the original brief for the Colnago Marine C45 OPEN, and which idea set
3 Questions for Dragan Kovačević, Product manager at Orqa FPV Q: When did you first notice the education gap in the FPV market, and what turned that observation into
3 Questions for Ab forum Q: How does dual nature of personalized and non-personalized living spaces reflect the relationship between architecture and its inhabitants? A: Personalized spaces are directly
3 Questions for NON ARCHITECTURE & BIT ARHITEKTURA Q: How do you create a dialogue between architecture and nature in the kindergarten’s design, both indoors and outdoors? A: The wall
3 Questions for 3LHD Q: What was the main inspiration behind designing a campus that combines production, office, social, and natural spaces within a single project? A: The main
3 Questions for Studio Mapa Q: What was your main goal in creating a space that supports both play and learning for young children? A: Our main goal was
3 Questions for Prostorne taktike Q: In what ways did you innovate or rethink common bridge design principles to create this unique form? A: The main idea was to
3 Questions for Ante Uglešić Q: How did you approach merging the layers of history embedded in the St Nicholas complex with the requirements of a modern educational and presentation
3 Questions for Athanasios Babalis Q: In your view, what makes collaboration between a designer and a brand truly successful? What creates the “click” so both sides feel
3 Questions for STUDIOLAV Q: What drives you in creating NOMADS, and how does this project relate to your interior practice. Is it a departure from daily work or a
3 Questions for Yiannis Ghikas Q: Working with Murano glassblowing must be special for a designer. How do you navigate the process with the artisans, and when does the material
3 Questions for Sotiris Lazou Design Studio Q: The chair feels both sculptural and soft. Where did the idea begin, and what was the first insight that set the
3 Questions for Matadog Design Q: How did the initial brief for NOOS translate into the final concept? A: Designing the first Greek electric vehicle was a major responsibility
3 Questions for Urban Soul Project Team Q: How does your design integrate architecture, fashion, and nature to create a unique hospitality experience? A: At Neema Maison, our guiding principle
3 Questions for Katerina Valsamaki Q: The house is described as a "slot in the hill," deeply nesting into the earth. What inspired this design gesture and how does
3 Questions for the So Far Studio Q: How did you approach redesigning a space with such a layered history without erasing its past identities? A: The key was
3 Questions for KLAB Architecture Sometimes, materials seem to choose themselves. Q: How did the idea that materials seem to choose themselves influence your material palette for the
About Moden Café Located in the neighbourhood of Pagrati in central Athens, Moden Café occupies a ground-floor space within a 1970s building. Named after the original pastry workshop just a
3 Questions for Yiorgos Katsanos and Stefania Tsigkouni The design for Troias Apartment began with an attitude of listening — to the building, its materials, and its time. Q:
3 Questions for Neiheiser Argyros Q: How did your idea of “ornamental minimalism” guide the transformation of Aigli from a historic café to a contemporary urban meeting space? A: This
3 Questions for K-Studio Q: The Southwand House project is part of a broader portfolio focused on hospitality and remote locations. What unique challenges and opportunities do holiday homes
3 Questions for Petr Vykoukal Q: HORNY BOY has a strong personality, almost like a cartoon character about to start speaking. Was this anthropomorphic character intentional, and where did
3 Questions for Milan Dostalík, CEO of TON Q: With Cissy you collaborated with Patrick Norguet. How do you usually choose external designers? What makes a successful partnership between a brand and
3 Questions for Studio WRKS Q: Do projects like Houbarium, which aim to popularize and simplify mushroom cultivation at home, influence how you see the role of industrial design in
3 Questions for Roman Vrtiška Q: In the collaboration between Brokis and Vrtiška & Žák, what do you see as the key to successful cooperation between a brand and designers, and how
3 Questions for MgA. Daniel Barták managing director of FORM Q1: How do you perceive the role of trust and shared vision between designer and manufacturer in creating meaningful design? I
3 Questions for the AI Design Team Q: What was your main vision when designing the Rohan Office Building, and how did you want it to speak to
3 Questions for Jan Žaloudek As an architects, we need to design our buildings according to local natural and climate situation to create sustainable architecture, which will serve as shelter for