Nominator: Jelena Micevska

Nominator's statement

Ilija Leveski is an emerging talent in the field of product design, driven by a rigorous methodology and a passion for technological evolution. With a practice rooted in extensive research and a keen eye for detail, he blends disciplined craftsmanship with a dedicated exploration of emerging technologies. Leveski is particularly passionate about the transformative potential of additive manufacturing, developing refined product series that harmonize advanced 3D-printing techniques with high aesthetic standards.

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SECOND LIGHT

It presents a clear example of specific adaptation through 3D-printed, personalized lampshades designed to fit onto existing everyday item, such as these two examples of wooden furniture legs. This approach carries multilayered value: aesthetic, functional, ecological, and cultural. On one hand, it enables the creation of individualized lighting fixtures tailored to a specific space and user preference. On the other, it reduces the need for new material consumption by reusing existing elements.

The use of parametric design allows relatively simple modeling and precise adjustment of the lampshade form to the dimensions and characteristics of found objects, or the development of entirely new conceptual designs. Users can be directly involved in the design process, through the selection of form, material, color, or lighting effect, enhancing engagement and fostering an emotional connection with the object.

Additionally, the project demonstrates how 3D printing can act as a bridge between traditional materials and contemporary fabrication methods, extending the lifespan of objects while introducing a new narrative layer. By transforming overlooked or discarded elements into functional lighting pieces, the design promotes sustainable thinking, personalized production, and a reinterpretation of everyday artifacts through digital craftsmanship.

ORNAMENTA

The inspiration for this project stems from the rich ornamentation and symbolism of the Macedonian kilim, where geometric forms, rhythmic repetition, and distinctive color palettes create a recognizable visual identity and convey cultural narratives. The principle of building a composition through the repetition of small, clearly defined elements is translated into the design of this lighting object, where each module functions as an “ornament” contributing to the overall whole.

Rather than being conceived as a fixed, predefined object, the lamp is designed as a system composed of several independent modules that users can combine to create a unique composition,, enabling a variety of combinations and visual rhythms. The specificity of this solution lies in the fact that neither the order nor the color of the modules is predetermined; these choices are left to the client, in accordance with personal taste, aesthetic preferences, and functional needs. In this way, each lamp becomes an individualized product, and the user becomes an active participant in the design process.