
Focus Italy: Hands Guided by Emotion
A tradition of feeling.
Italy offers a powerful starting point. Here, we see emotional tactility paired with technical discipline. In architecture, the projects speak through composition and restraint, not spectacle. In product design, creation is intimate, almost narrative. Everywhere, tradition is not preserved, but reimagined.
Italian architecture, as observed in the featured works, often enters the built environment with a minimal presence. Yet within this restraint lies a strong character, expressed through careful spatial compositions, precise material choices, and small but meaningful gestures. Traditional materials such as clay, stone, and metal are not merely preserved but reinterpreted. They are used in logical and spontaneous ways, shaping contemporary forms that remain deeply rooted in place. This careful integration results in environments that are not only functional and modern, but also breathable, leaving space for life and memory to unfold.
In product design, we encountered a particularly emotional and human approach to creation. There is a visible intimacy in the way designers shape objects – not only as functional tools, but as personal narratives. Many of the products speak through colour, texture, and form, echoing the landscape, the sea, and the cultural heritage of their origin. This emotional sensibility is paired with remarkable technical precision and craftsmanship. Traditional skills, often passed down through generations, form the backbone of production – ensuring that execution is not an afterthought, but an integral part of the design story. It is as if the heart speaks through the hands, and the hands, in turn, refine what the heart imagines.
These works ask a question and answer it at the same time: what is Italian design today? In a world where designers, brands, manufacturers, architects, and clients collaborate seamlessly across borders, national identities may seem to fade. And yet, the Italian essence remains strikingly present. It reveals itself through a deep emotional quality, a joy for creation, a tradition of craftsmanship, and an enduring pursuit of beauty. Tradition and freshness, guided by emotion and precision, lie at the heart of Italian architecture and design.
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Each BIG SEE Focus presents a curated selection of recent architectural and design projects from a single country in South-East Europe. It’s not a survey of trends or styles — it’s a selection of works that reveal depth of thinking, sensitivity to context, and the capacity to shift perspectives.
We look for projects that respond to constraints with creativity, engage cultural complexity with clarity, and offer more than just aesthetics — they propose ideas.
Focus is not just a showcase, but a curatorial responsibility: to highlight the works that prove why South-East Europe matters — not only culturally, but creatively.
Featured projects
Agricultural Consortium
Park Associati
Barista
Lavazza, Elogy
Bonfiglioli HQ
Peter Pichler Architecture
Clay
Zanellato/Bortotto for Moroso
Coney
CMP for Pedrali
Dondolina
Antonio Aricò for Bottega Intreccio
Elegante
Ministudio Architetti
Italian Pavilion for Expo 2025 Osaka
Mario Cucinella Architects
Liceo Montale Pontedera
Colucci & Partners Architettura
Mosca.Bianca Ceramic Workshop
AACM – Atelier Architettura Chinello Morandi
Museumstrasse 42
NOA Architects
NDSM Lusthof
Studio Ossidiana
Piano
BUDDE for Serafini
Ricupaglia
PPD Architetti
Editors
Blažka Drnovšek,
Curator & Editor
for Product Design
Tanja Završki,
Curator & Editor
for Architecture
M: +386 64 293 441
E: tanja@bigsee.eu